Jiggle & Grow Script 4.1 Update

First: Thank you for all the comments on the last post "Street"!

The Jiggle & Grow script has been updated to version 4.1! There are two major changes:

• New Type of Motion: Spring. Now before applying a jiggle there are two options: Standard - which is based on Bounce Amount and Bounce Speed. Spring - which is based on a spring, so forces/mass/etc.
• New Presets! See the video below.

I will make an attempt to adjust the main page with some of the options, but the changes are pretty straightforward. That being said, there is one limitation: Once you've applied one type of motion, you cannot change it. Don't mix and match either.

Street

You've activated my trap card! Your best traits are now mine. That's really all I could think of when deciding what I wanted to do.

Extras | • Source: SaraLlamas7

The amount of masks on this thing is absurd, many are being created via expressions too. The 3D camera tracking is pretty awesome, that's how I did the spell shaped rings and tracking on the target girl. Originally I wanted to have all 3 girls walking in the back to be targets, but after masking out the first, I decided 1 would be enough. I really wish this was a bit longer and you could have seen a before and after of the girl walking away, but it's fine this way.

Tessa - Spring Loaded

I really just wanted to play with the spring expressions to make thing jiggle, but after awhile it sort of became a thing to finish it.

Extras | [tiny gif version] • Source: Tessa Fowler

I really wish imgur/gfycat would trust my encode instead of re-encoding it. I give it a 3mb mp4 and they say... naw, we got this: and creates a 3.5mb mp4 resized and a drop in quality. Complaining about a free service is pretty pointless though.

I don't normally have multiple projects lined up, but this time I found something I wanted to do before I finished this one. The next thing will be https://gfycat.com/metallicbadjapanesebeetle - It'll be the first attribute theft video, so that's going to be a bit tricky.

AkemiExpansions

Most of you probably know of Akemi Expansions (or on DeviantArt) or at least seen something made by them. They're one of the few people currently making real life breast expansion content. If that wasn't cool enough, the rigs they're using are pretty amazing! I'm not trying to fangirl or anything, but I've liked everything I've seen from them. I liked two clips in particular, so I added my own effects:

• Source: Hasna and Candii from AkemiExpansions

I posted these to reddit in the comment sections to when /u/thatsambell posted the originals, the first one yesterday and the magic wand one quite a while ago.

Besides posting them here, I wanted to specifically talk about how I did the first one so quickly (compared to what I normally do anyway) since it only took about 3 hours.

Jiggle & Grow 4.0.3

The Jiggle & Grow Script has been updated to now include the Spring null that I used for the last post, Witchcraft.
It's located in the tools tab, then just click the Add Spring Null button.

The general use of it is work nicely with the CC Smear effect:

• Put the From property on the CC Smear effect wherever you want.
• On the To property, add the expression of adding the From property to the Position of the Spring null.

Basically you give it force and direction and it "pokes" the spring. The spring itself has a couple options: Mass, Dampening, SpringForce. Then there's also 2 options for gravity.

Witchcraft

By the power of words and paper, gaining a larger bust can be granted!

Extras | [ <2mb version] • Source: Milana B: Book of Secrets

I'm sorry this one took so long, I actually decided to write a spring based expression to handle the impact of the little spell particles. What makes it different than the J&G script is this one can handle a "force", as in I set how much I'm going to poke the breast and from what direction and it handles it - and even takes into account how it's already moving. It's very cool, I'm pretty happy with it.

Baywatch

This is the first Time Stop thing I've done, so decisions needed to be made how to make it look during the time frozen period.

Extras | [expansion only version] [2] • Source: Alexandra Daddario (from Baywatch Panel)

I think it turned out pretty good for a first try. I didn't actually set out to make a Time Stop thing, but after making the expansion version I thought it'd be more fun.

iSmirk

I enjoyed the last one going from tiny tits to... not. I originally had this in one long smooth motion, but decided to stagger it a bit to show the different stages. The first frame is the original size of her chest.

Extras | [gif version] • Source: Emma Sweet for MetArt (Imgur)

I did go back to using reFlex warp, it's really good at adjusting the size within itself without having to do really weird things. I'm not super happy with the bounces, I was pretty lazy there.

A More Fitting Chest

Based on the original, I thought her pose and attitude really deserved a larger chest.

Extras | [gif version] • Source: ??? [/r/randomsexiness]

It's being resized, so view full. There are so many masks making shadows / light that it became really difficult to remember what was where. Looking back at the original, the shadows I made were not really aligned with what was actually in the picture, but, eh, close enough. Usually I take pictures where the chest is already big, shrink them and then make them larger to make the expansion part bigger. In this one, she started pretty small to begin with, so I had to make up a lot of the chest, which is why there were so many shadow/light layers.

Sacrifice

Imagine if rich folk could buy attributes from illegal sources - I imagine this would happen all the time:

Extras | [tiny gif] • Source: ???

I forgot how annoying Mesh Warp is to use for something like this, probably should have gone a different route. I decided to not just do a simple shrink/grow, so the perspective changes on each of them a bit, like the shoulders lining up and the background arms changing alignment. Probably the best touch was the shoes though, that really sells it.

Extra Bounce

I saw this loop on reddit, people were saying there wasn't much "bounce", so I wanted to see what actually was there.

• Source: Melissa Rauch - Conan Interview

I didn't actually add bounce, I just multiplied what was there. I forget how long ago it was but there was a really interesting video on youtube about amplifying motion to videos, so I tried to do a really simple version of that.

Snow White's Potion

It's not Halloween - too bad.

Extras | [<2mb gif] • Source: ??? [imgur]

Face Tracking

This was more about seeing if I could do something like this more than anything else. Once it was done it just made me kind of sad.

• Source: Busty Buffy (Lucie Wilde)

I only messed with the face, nothing else. You might think that this was done with just a single liquify, but that's creates a big problem when she turns her face. If it was one liquify effect, I'd have to adjust the displacement map every time she turns.
Instead I tracked the face with details, then adjusted the layer so it stabilized her face. Then using 3 liquify effects: Left side, Right side, and vertical; I made some expressions that turn up and down the liquify effects' percentages based on the tracked face details (like turning left and right). For example, when she turns to her left, the liquify effect on that side basically turns off.

Season

Fun with the puppet tool!

Extras | [gif version] [tiny gif] • Source: Amakano ~Second Season~ img 160 in part 1/2

As promised, here are the .psd file and .aep file if you want to pick it apart. They were made with PS2018 and AE2018, so it is highly possible older version will not correctly open the files, but I'm not sure. The .psd file is pretty self explanatory, but the .aep file is how I just work. I did most of the work in the "Assemble" composition, then did some of the final touches in Assemble 2 & 3. I use expressions... a lot, so if you look at something and are thoroughly confused, look at the expressions to see what it's doing.

The .aep file references the .psd file so you'll need both - putting them in the same place should let AE auto-find the .psd file, but in the event it doesn't it will yell at you saying it can't find 10 things. You can point the 10 layers to the .psd file within AE in the Projects area under the e_hon12LI_A Layers folder. Right click on the layer, replace footage, file - then select the .psd file. I don't know if you'll need to repeat this for each one or not.

What takes so long?

Nobody asked, but I'm going to answer the question: What takes so long?

What I enjoy doing is rigging up all these animations and watching them work - up to a point at least. In the beginning of the video you can see the original cutout from the still image. After much time in photoshop I've re-painted pretty much everything so I have a lot of cutouts to use.
On the right what you see is the animation all being driven off of a single point, which is what I drag around to show you how it moves. There's quite a few really subtle things nobody would really think of until they have to actually animate one of these things. Such as when the nipple goes above the breast it has to re-draw the outer line, little details like that. Recreating just the breast is 7 layers.

Now you know! My plan is to release the .psd file and .aep file when I finish this one so other people can really play with it to see how it all works.

Tight(er) Gray Shirt

Angles, angles, angles.

Extras | [gif version] [tiny gif] • Source: ???

This is the first time I've done an angle like this. I wanted to try and do what I kept referring to as "perspective bounces" - and that was nice, but ate way too much time for what it turned out. Basically, since her chest is turned so much, I distorted it so it was angled back as if she was standing forward, applied all the effects, then distorted it back to the original perspective. It added a lot of time to the rendering and general work flow, but did look nice. I just don't think it was worth it when using a slightly smaller bounce for the chest further back is much easier and pretty much looks the same.

Next up is: Amakano ~Second Season~ image 160 in part 1/2.